Speculative Aesthetics

Documenting and increasing upon a ROUNDTABLE dialogue at the ramifications of Speculative Realism for aesthetics, this dialogue levels from modern art's relation to the cultured, to accelerationism and abstraction, common sense and design.

From diverse views of philosophy, artwork and layout, contributors research the recent technological mediations among the human sensorium and the large planetary media community in which it now exists, and look at how the classy permits new modes of data through processing sensory info via symbolic formalisms and technological devices.

Speculative Aesthetics anticipates the opportunity of a conception and perform now not invested within the otherworldly promise of the classy, yet acknowledging the genuine strength and traction of pictures on the planet this present day, experimentally applying concepts of modelling, formalisation, and presentation for you to concurrently engineer new domain names of expertise and map them via a reconfigured aesthetics that's indissociable from sociotechnical conditions.

AMANDA BEECH
Art and its 'Science'
BENEDICT SINGLETON
Speculative Design
TOM TREVATT
The Cosmic Address
Discussion

NICK SRNICEK
Accelerationism - Epistemic, fiscal, Political
JAMES TRAFFORD
Towards a Speculative Rationalism
ALEX WILLIAMS
The Politics of Abstraction
RAY BRASSIER
Prometheanism and actual Abstraction
Discussion

MARK FISHER
Practical Eliminativism: Getting Out of the Face, Again
ROBIN MACKAY
Neo-Thalassa: A Fantasia on a Fantasia
BEN WOODARD
Uncomfortable Aesthetics
Discussion

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Speculative Aesthetics

Documenting and increasing upon a ROUNDTABLE dialogue at the ramifications of Speculative Realism for aesthetics, this dialogue levels from modern art's relation to the classy, to accelerationism and abstraction, good judgment and design.

From diversified views of philosophy, paintings and layout, individuals research the hot technological mediations among the human sensorium and the large planetary media community during which it now exists, and examine how the classy allows new modes of data by way of processing sensory information via symbolic formalisms and technological devices.

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Discussion

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Towards a Speculative Rationalism
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The Politics of Abstraction
RAY BRASSIER
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Discussion

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Plato is having Hippias persist, I suggest, in order to bring out the genuine impasse here between Socrates and Hippias, and to prepare the reader for the possibility that there may be at least a kernel of truth in Hippias’s apparent stubbornness. He will not give in to this insistence on the ‘‘essence’’ of beauty that Socrates demands and, as we shall see in what follows, he never really does. For after Socrates refutes this third definition, it will not be Hippias but Socrates himself—still in the guise of his di≈cult friend—who explicitly moves the conversation to the ‘‘connotative’’ definitional attempts that will characterize the rest of the dialogue.

It hardly follows that the issue of power is not a central feature of any adequate understanding of the beautiful. As with the other issues we have already addressed, the context of or the demand for a definition of a complex issue such as beauty seems more to 22 и plato and the question of beauty close o√ than to open up an adequate understanding of the term. Is it any wonder, then, that the quest for definitions of such terms always fails, and that a di√erent way of understanding them will be necessary?

Then 18 и plato and the question of beauty how else would one begin a formulation regarding beauty than by giving a range of examples of beautiful things, the experience of which might lead us to ‘‘see’’ or ‘‘recollect’’ what beauty itself is? Perhaps, precisely in the light of what we are to learn in the subsequent dialogues, Hippias knows what he is doing and is right to persist in articulating ‘‘denotative’’ definitions of beauty. But not according to Socrates. He begins his refutation of this, the third denotative characterization of the beautiful, by again appealing to his di≈cult ‘‘friend,’’ who, he says, would berate him (and by implication, Hippias) for yet again not understanding that he is not looking for instances of beauty but for what the beautiful itself (to kalon auto—292d) is.

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